Exclusive Underground Sounds for Film, Sports & Beyond.

Yes. Every Songfindr licence lets you monetize your own content (YouTube Partner Programme, platform ad and streaming revenue), podcasts included, wherever you publish them - Spotify and Apple Podcasts among them. What it does NOT cover is releasing the track itself as a music release: this is a licence to synchronise it into your own content, not a right to distribute the recording. If an automatic Content ID claim appears, you link your channel and submit that video, and the claim is released in about three days, so the revenue on it stays with you. Your rights on a track you have already licensed are perpetual either way - what an active subscription buys is the clearing of NEW claims, and on a one-time purchase that clearing is permanent. Monetizing your own content is not the same as paid advertising: putting money behind an ad needs the Digital scope, and stays self-serve up to the published media-spend ceiling.

They differ by WHERE the music runs, and each one contains the one before it. Personal covers your own channels and podcasts, monetized. Digital adds client and brand work delivered online. From there the ladder forks: Expanded adds physical spaces, out-of-home and film festivals, while All-Media adds TV, radio, OTT and cinema. Neither of those two contains the other, so a campaign running on TV and on billboards needs both. Business is the Digital scope plus your organisation's own events, such as its trade-show booths, conferences and product launches. Games are licensed per registered game title rather than per project.

Perpetual, but for one project at a time. A licence covers ONE specific project - a video, a game, a podcast series, a campaign, a client deliverable - and you can use the track there indefinitely at no extra cost, including in re-cuts, excerpts and derivative versions of that same project. Using the same track in a separate, unrelated project needs a new licence. A subscription covers as many projects as you like: register each one while you are subscribed, it gets its own licence certificate and stays licensed forever, even after you cancel. A project registered after the subscription has ended is not covered. What stops when a subscription ends is NEW Content ID clearing requests and the ability to licence new tracks. Every scope is worldwide with one exception: All-Media's broadcast rights cover a single national territory, and further territories are quoted.

Yes, from Digital upwards. Personal is for your own channels: monetized, but not client or brand work. Digital covers commercial work delivered online, including paid digital ads under the published spend ceiling. Expanded extends that into physical spaces, out-of-home and film festivals; All-Media extends it to TV, radio, OTT and cinema. Games have their own per-title licence.

Anything the published ceilings do not fit is licensed directly: campaigns above the media-spend ceiling, more than one broadcast territory, exclusivity, and publisher, work-for-hire or AAA game productions. There is a quote form on every pricing surface, including inside the licence window on a track, so you never have to leave what you were doing to ask.

Yes. Sign up free and download a watermarked version of any track to cut against your project before you decide. Nothing is charged until you choose a licence, and the watermark is only on the preview - the licensed file is clean.

Card, through Stripe, for everything. On one-time purchases you will also see whatever wallet your device offers, typically Apple Pay or Google Pay; subscriptions are card only. You can also load an account balance and spend it on one-time purchases. Card details are handled by Stripe and never reach our servers.

Yes. Personal, Digital and Business each bill monthly or annually, and annual is cheaper - the exact saving is shown on the annual option, because it differs by plan and by currency. Expanded, All-Media and the game licences are one-time purchases, so they have no billing period at all. Enterprise is quoted.

Yes. You can cancel at any time, keep full access until the end of the period you have already paid for, and resume before it ends. Tracks you downloaded while subscribed stay licensed for the projects you used them in. A one-time purchase can be refunded within 14 days, as long as the track has not been downloaded - write to [email protected]. A refund cancels the licence it paid for.